Vladimír Godár
composer / musicologist / editor
News
The exquisite Dutch string quartet Matangi Quartet honoured Vladimír Godár by naming him the residential composer of the this year Moving Music Festival, the successor of the former Unheard Music Festival, which in the past hosted such significant composers like Valentin Silvestrov, Paweł Szymański and John Psathas. The event was visited by the composer himself. The concert of his music was preceded by the INspired concert presenting the works by Heinrich Biber, Valentin Silvestrov and Alfred Schnittke, thus demonstrating music close to Vladimír Godár’s heart and presenting the possible inspirational basis of his creativity. The INspired concert was followed by the interview with the residential composer of the tonight event.
The concert took place on January 24, 2026 in the New Church in The Hague. In the first part of the evening Emmeleia was presented in two versions: for piano and for string quartet, Talisman for string trio and Deploration sur la mort de Witold Lutosławski for piano quintet. After the break the new piece Largo and Passacaglia for string quartet opened the second part of the concert and the whole night culminated by an impressive fiery performance of Concerto Grosso. In the third movement of the piece the musicians on stage were joined by two dancers which added another dimension to the spirituality of the whole performance. The choreography was prepared by Thom Stuart with De Dutch Don’t Dance Division.
















Matangi Quartet in collaboration with Amare The Hague
Saturday, 24 January 2026 – Nieuwe Kerk, The Hague
On Saturday, 24 January 2026, the Matangi Quartet will present a new edition of the Moving Music Festival. After eight successful editions of the Unheard Music Festival and an anniversary year, this edition focuses on Slovak composer Vladimír Godár: a unique, introspective musical voice rarely heard live in the Netherlands.
Vladimír Godár – a composer for our time
In
a world full of noise and acceleration, Godár's music invites stillness
and reflection. His musical language is melancholic, spiritual, and
rooted in Central European culture. Godár (1956), both composer and
musicologist, gained international recognition with his vocal cycle Mater and is often compared to Arvo Pärt and Henryk Górecki — not in style, but in spiritual expressiveness.
Matangi brings his music to Dutch stages "because Godár's work reminds us of the power of silence and beauty."
(source: https://www.matangi.nl/pages/moving-music-festival)
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